@Manaš½ can you DM me the matching .tilt file?
@Mana
can you DM me the matching .tilt file?
can you DM me the matching .tilt file?
MOh are we supposed to be using .tilt files? I was using a .glb lol. Iāll try again tomorrowā¦
ANo. I meant "send me the original so I can try the export myself". Use glb...
MJust sent you a DM!
A@Mana
- can confirm it's nothing you're doing wrong. Not sure what the problem is with that file.
A@mikesky Blender and Icosa choke on that file but it loads fine into our Toolkit and into https://modelviewer.dev/editor/
A tool to edit glTF and glb files 
, and configure them to use the ļ¹¤model-viewerļ¹„ 3D & AR web component 
, and configure them to use the ļ¹¤model-viewerļ¹„ 3D & AR web component ABlender gives a more helpful error
A@mana - the "stars" brush strokes around the middle of the flower - can you erase them or something to see if it fixes it? that's where Blender stops loading the scene.
Mstrange. ok I can try that
PHi there, I tried uploading glb files to Icosa, but it only shows a black screen? What did I do wrong?
M@andybak correct me if i'm wrong, but you'll also need to upload the brush images that were alongside the glb as well
Mit's a bug right now i'm afraid, working on it
AYes - you have to multiselect all the files in the glb folder. (you'll see an error after upload but you can ignore that)
PAlright, I'll try again, thanks!
Jhttps://x.com/willeastcott/status/1821506505956331748 @andybak per our chat about Web 3D editors. This one of course specific to Gsplats so not a great fit but Iāll share a few more generic examples in this thread
After 10 months of development, it's finally here!
SuperSplat 1.0
The open source editor for working with 3D Gaussian Splats.
TRY NOW: https://t.co/ZpCz2o7GpB
GITHUB: https://t.co/fmjd2oDRMc
SuperSplat 1.0The open source editor for working with 3D Gaussian Splats.
TRY NOW: https://t.co/ZpCz2o7GpB
GITHUB: https://t.co/fmjd2oDRMc
8/8/24, 11:19 AM
ASplats are incredible. Still no idea how to make one, but they seem quite powerful
AEasiest way is luma.ai - although they've made it hard to find since then started pushing their Sora competitor
AI couldn't figure out how to download it. Actually recorded one the other day, then waited about 30 hours for it to process.
Seemed there used to be a way. Maybe have to have a subscription?
Seemed there used to be a way. Maybe have to have a subscription?
JLuma app for iPhone or droid allows video upload. Usually takes 5-10min to process. No subscription needed. Can view via their website & download, then load in Unity or Unreal via pluggin. Highly recommend. Workflow, compression & quality improves constantlyā¦ https://apps.apple.com/us/app/luma-ai/id1615849914
App Store
āShow your world in spectacular quality 3D, and share anywhere on the web. Brought to you by Luma AI.
Luma is a new way to create incredible lifelike 3D with AI using your iPhone. Easily capture products, objects, landscapes, moments and scenes wherever you are. Share these fast spectacular scenes wā¦
Luma is a new way to create incredible lifelike 3D with AI using your iPhone. Easily capture products, objects, landscapes, moments and scenes wherever you are. Share these fast spectacular scenes wā¦
JCEO good guy too & company growing like gang bustersā¦
Ti still have no idea why artists would have any use for a slot machine that's trying to replace the creative process
AI'm on android. I was able to upload and process the video (currently takes 1-2 days if not a subscriber).
What I want to do, if possible is download the ply/splat/model whatever is produced.
I thought this used to be an option, but looks like can only download the video now?
What I want to do, if possible is download the ply/splat/model whatever is produced.
I thought this used to be an option, but looks like can only download the video now?
ADepends on what level of the creative process you want to work with. It costs a fortune and requires a huge number of people, typically to make a feature length film.
If my goal is to tell a story, then I'm perfectly happy editing clips together. People build scenes using models all the time, rather than painstakingly craft them piece by piece, because the emphasis of their interests is in the composition or final output rather than working out mesh topology for each one.
Also some people enjoy randomness. For those who are more commercially inclined it comes down to whether the client is willing to accept long turn around times and quality over speed.
Unfortunately this has adverse impacts on the industry. From a competitive lens it's obviously not a great situation for artists. From a purely creative lens, I can see why some people feel differently about it.
If my goal is to tell a story, then I'm perfectly happy editing clips together. People build scenes using models all the time, rather than painstakingly craft them piece by piece, because the emphasis of their interests is in the composition or final output rather than working out mesh topology for each one.
Also some people enjoy randomness. For those who are more commercially inclined it comes down to whether the client is willing to accept long turn around times and quality over speed.
Unfortunately this has adverse impacts on the industry. From a competitive lens it's obviously not a great situation for artists. From a purely creative lens, I can see why some people feel differently about it.
AWe're talking about creating gaussian splats from video - not generative AI. That's a separate debate and would belong in #offtopic anyway.
A(but I'll just say that generative and procedural techniques have been part of art since the first cave painting used pigment blown through a straw - it's a difference in degree not in kind...)
Tand luma AI is a generative AI company, that's what i was commenting on
Aonly recently. before dream machine they were working on gaussian splats
A(which is what we were talking about)
A(which is AI - and to some degree "generative" but probably not what you mean by "generative AI")
A
Ttook a bit of hunting to find that, all the links are going to their dream machine crap
Tthe nerf/splat thing is pretty useful though
JOh wow what a painā¦ feel free to share the video with me & Iāll process & export in your chosen formats when I have time. See attached screencap showing options.
JKeep in mind itās only UE & splat export formats that retain the view dependent effects like reflections
JExample high poly Luma GLTF export @AncientWorlds
textured_mesh_glb.glb35.31MB
JPretty nutsā¦ 5min to process on Luma iPhone app. Sorry to hear droid app is not the sameā¦
AI suspect its because I'm not a paid subscriber? I systematically cancelled everything over the last couple of months.
Almost everything is something I use once in a while, hard to justify keeping them all active.
That looks really cool. I often feel primitive in android world.
Those scan extractions look great though.
Might take you up on that, going to look at the mesh you sent when I fire up the headset
Almost everything is something I use once in a while, hard to justify keeping them all active.
That looks really cool. I often feel primitive in android world.
Those scan extractions look great though.
Might take you up on that, going to look at the mesh you sent when I fire up the headset
JCool feel free - also keep in mind that mesh is high poly - there is also medium & low poly options. You may have more luck with web upload & processing. Luma used to allow it though I haven't checked recently. Also if interested see below. @andybak no doubt you've seen these & think we discussed a while back but resurfacing with all the Icosa progress of late - as well as increasing public interest in nerfs/splats/3D scans:) https://github.com/aras-p/UnityGaussianSplatting https://github.com/antimatter15/splat
GitHub
Toy Gaussian Splatting visualization in Unity. Contribute to aras-p/UnityGaussianSplatting development by creating an account on GitHub.
GitHub
WebGL 3D Gaussian Splat Viewer. Contribute to antimatter15/splat development by creating an account on GitHub.
JI should mention this came through trusted rec of master Keijiro https://github.com/keijiro/SplatVFX
GitHub
3D Gaussian Splatting with Unity VFX Graph. Contribute to keijiro/SplatVFX development by creating an account on GitHub.
J
J
PHi guys, I'm uncertain if this is the right channel. But is there any site that hosts .tilt files that can be downloaded?
AThat's exactly what Icosa Gallery is for - we're a few weeks away from a release with that functionality (well - you can already manually upload and download .tilt files from your own account but I suspect you want to make them available for other people as well?)
PThat's what I meant. I want for us all to be able to share our .tilt files.
AYep. Stay tuned then. We're nearly there. Everything works in the app like it used to with Google Poly
LLbtw. to explain https://xrfragment.org from a icosagallery/
XR Fragments (XRF) spec is about (implicit+explicit) metadata (found in a 3D file) which hints the viewer-application (icosagallery e.g.) to enhance XR experiences, for example:
.tilt.tiltXR Fragments (XRF) spec is about (implicit+explicit) metadata (found in a 3D file) which hints the viewer-application (icosagallery e.g.) to enhance XR experiences, for example:
- navigate in-VR to other 3D file by make objects with URL-metada clickable
- load/project video on a plane with videoURL-metadata
- switch camera/position/animation by clicking an objectIn theory, the XRF js-parser can be included in THREE.js to leverage those features (it just scans the `.userData`-fields of a loaded `.tilt|glb|obj` 3D file).(I'm writing an NLnet proposal atm, and am thinking of making a XRF>Icosagallery PR a milestone)
AOK. I think there's an important distinction between "editing a scene" and "viewing/interacting with a scene". We do try and cover both in Open Brush but the lines are a bit blurry and the "view only" side of things is a bit unfinished
AI think the Icosa Gallery is a better target for everything related to "Viewing/Interacting with" - I'm currently wondering if it's worth incorprating parts of Spoke (the Mozilla Hubs scene composer/editor) or the three.js editor into Icosa.
AHowever - "marking up" a sketch in Open Brush so that extra capabilities are enabled when viewing is totally in scope.
LThese thoughts make sense.
I actually studied Spoke & Three.js editor during drafting the XR Fragments spec.
The idea was to create a fileformat-agnostic version (first I wanted to bet on Spoke, until it got abandoned by mozilla).
The texturescrolling- and link-features (of XR Fragments) were inspired by Spoke extensions, and can be used by other fileformats too now.
The deeplinking/teleporting-via-URL aspects of XR Fragments were something I've always longed for with Spoke/Hubs.
I actually studied Spoke & Three.js editor during drafting the XR Fragments spec.
The idea was to create a fileformat-agnostic version (first I wanted to bet on Spoke, until it got abandoned by mozilla).
The texturescrolling- and link-features (of XR Fragments) were inspired by Spoke extensions, and can be used by other fileformats too now.
The deeplinking/teleporting-via-URL aspects of XR Fragments were something I've always longed for with Spoke/Hubs.